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Sketch

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The music on this recording requires close, attentive listening...Schnitter plays less symmetrically but more lyrically now, favoring the upper register of the horn and being less conscious of the bar lines. It's as though he's abandoned the influence and powerful breathstream of his former hero, Dexter Gordon, and turned to Ornette Coleman and John Coltrane for conceptual inspiration. Schnitter's sound is now somewhere between Hank Mobley's warm muskiness and Coltrane's direct, vibratoless approach. It bears a mournful, elegiac quality that no doubt tells a story in itself. Regardless, it's one of the most distinctive sounds on the modern tenor scene, immediately recognizable, as are his melodic ideas, especially the ascending, staccato-like phrases that he uses to counter predictability.

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